Musicians, how many times have you had to rifle through your bag just to find a pencil to mark your music, or you didn’t have a pencil to begin with because there wasn’t a place to put it in your music folder? Most manufactured music folders have a built-in pencil holder but if you happen to use a 3-ring binder you’re going to need a holder or risk stretching out one of the inner pockets. I found a few tutorials on YouTube geared towards the planner community, but this could easily be made for anyone needing a place to store a writing utensil. The great part is that it can be attached to your binder or multiple pages of a score if you’re reading from something hefty like the Brahms Requiem.
I made mine with glitter washi tape from Target-
I followed this tutorial by Silly Mimi on how to make a pen loop with duct tape and a small binder clip:
I’m sorry guys and gals, I haven’t updated the blog since February. Life is like a box of chocolates, am I right?
So what have I been up to? Welllllll… I originally planned to tell you more about the musical side of my life and I failed to do that. So here’s a short rundown of what I’ve did at the Chorus of Westerly since January. AND you can play Where’s Waldo and try to find me in the crowd.
We presented the last shows for the 40th year of A Celebration of Twelfth Night. Here’s a photo of the chorus, who acted as the “soundtrack” to the action on stage, during our last rehearsal before the shows.
[ Photo Sean D. Elliot/The Day ]
And some snapshots of the show…
[ Photos : Christine Corrigan/The Westerly Sun ]
Our March concert was titled Straight Up! While we usually perform with an orchestra, we took it down a notch and sang some songs a cappella and some with a handful of instruments. With that said, our energy and sound was as strong as any other concert. (these are photos from the dress rehearsal)
Evening Hymn, H. Balfour Gardiner
Ave Maria – Angelus Domini, Franz Biebl
Chichester Psalms, Leonard Bernstein
Dark Night of the Soul, Old Gjeilo
Birthday Madrigals, John Rutter
Ezekiel Saw de Wheel
Encore: Ride the Chariot, William Henry Smith
[ Photos: Christine Corrigan/The Westerly Sun ]
AND WHAT’S UP NEXT, YOU SAY?!
An exploration into the light and the dark- Gabriel Faure’s Requiem and Karl Jenkins’ Gloria, with guest baritone soloist Dan Moore.
Here’s a few snaps from rehearsals and the performance hall.
…that’s my music, by the way. I don’t know anyone else who uses pencils more often than musicians.
And now we’re caught up! Have a good weekend, friends!
To celebrate I’ve put together a little list of my favorite songs to show you my affection. That’s a lie. These songs are creepy if you actually listen to the lyrics. With that said, I still like these songs and will gladly sing along whenever I get the chance. I included the music videos because some of them really take the creepy factor further with visuals. I know there’s a TON of other songs that are creepy, so if you want to add to the list leave a comment. Enjoy… winkwink.
I’ve never really kept an official “bucket list”. For much of my youth I really just stayed hopeful that when I became an adult I’d have enough money to do things like travel the world and eat all the food found in those locales. With Aiden I make seasonal bucket lists of activities and it’s got me thinking about things I’d like to do one day with a little planning.
One item on that list is to attend the Vienna Philharmonic Orchestra‘s New Year’s concert. What makes this concert special other than it being a great way to ring in the new year is that they play the Radetsky March with the audience participation. We did this at a recent concert here and it was so fun that I’d do it again if I had the chance.
Thanks to the beauty of the internet, I found the full 2015 concert on YouTube, below.
The whole program is over 2 hours, so if you’d like to hear the Radetsky March fast forward to hour 2 and 16 minutes, or click here to start at that mark.
I work in a museum. Often when people ask what I do for work I love to mention that I work at the Lyman Allyn. I want people to know this place exists! Although, there’s always a tiny part of me that feels like that person may as well be hearing, “I work at a really snooty place, period, that’s all you need to know because it’s probably too good for you anyways.”
But it’s not a snooty place! I want you to know that whatever we have on view is meant to be accessible to everybody.
Admission fees shouldn’t determine whether or not you can walk through our front doors. In fact, a lot of museums in the United States are free to the public. For example, if you visit Washington D.C., all of the Smithsonian institutions are always free and open everyday of the year except on Christmas. The admission fee we charge at the Lyman Allyn doesn’t mean we’re greedy and want all of your money. Like a lot of museums we’re a non-profit organization. A lot of what gets collected financially will help us to fund the costs to run this building, care and maintenance of the objects in our collection, to allow us to provide programs for children and special events related to the current exhibitions, to pay for applications for grants, to order office supplies, and to pay the small amount of staff members who work hard and tirelessly to organize and plan everything that happens within these walls.
If you feel that our admission fee is still problematic, you have options! With a little planning and preparation you can visit for free. Museums may hold an occasional “free night” or “free day” promotion. My museum has a “Free First Saturday” where we provide free admission on the first Saturday of the month. Also, find out if your local library holds passes to local museums and attractions which will cover a portion or all of the admission cost. Some museums offer reciprocal admission to other area museums if you’re a member with that museum.
For a yearly fee there are museum associations such as the North American Reciprocal Museums or American Alliance of Museums where you are granted free admission to a large group of museums affiliated with that organization. If you travel often, this is a great thing to have because you’ll be able to enjoy the museums in the areas you visit at no extra cost.
If the museum doesn’t tout the really priceless van Goghs / Picassos / Monets / Renoirs / Kahlos / Warhols, that doesn’t mean there’s nothing worth seeing. The permanent collection at the Lyman Allyn aims to present artwork and objects that were created by those who have worked and/or lived in Connecticut or New England. Much of the objects were made or owned by prominent people from this state’s history. While a museum may have a niche that makes it unique among other museums, it may also present temporary shows that encompass a variety of subjects and themes. Without being strictly about one thing, you might see traveling exhibitions and accompanying events/activities that cater to different ages and interests. About ten year ago when I was vacationing in Tampa, Florida, there was a Bodies at one of the local museums. A year later I saw that the same exhibit moved it’s way north to a New York City museum.
You can bring the kids. Adding to what I just mentioned about there being exhibits for every interest, there are exhibits and programs geared towards kids. I know a lot of museums are populated by the older peeps, and some of them prefer a quiet stroll through the galleries, but kids can behave too. New Yorkers do it all the time. Shoot, I brought my kid to the Yale Center for British Art and there’s nothing there that would really engage my kid’s mind but I created activities for him to participate in while we walked around. How many horses do you see in this gallery? What do you think that child is doing in this painting? Do you like this sculpture; and what do you like about it? If you see a painting with boats in it, sing a sea chantey. Get creative!
I hope this post motivates you to take a trip to your local museum at least once this year. I have such a huge passion for the arts organizations in my community. I think places like local museums and hearing music groups live are ways that one can stimulate their local economy and experience some culture in return for a small fee. Now, get out there!
I’m going to assume your area has that one radio station playing Christmas music all day, every day and it plays that one Paul McCartney song a minimum of 25 times a day. Also, how is it possible for every musician out there record a Christmas album? How many pop arrangements of these songs do we really need? That’s a question I want you to answer. So I like to counteract all of these usual radio mainstays with a jazz-oriented set of holiday songs. It’s not a Merry Christmas without my homeboys Mel, Bing, and Perry. I also threw a disco song in there at the end because I knew you’d appreciate it.
So! We’re done with the serious (for now) and now we’re doing something fun. The day after a rigorous concert weekend we jumped right into our repertoire for Christmas Pops. With three weeks until the next concert, there’s a pro and a con to this. Sure, we’re all are familiar with most of the holiday songs, but there are various arrangements of every song and making sure we sing what’s printed in the music is sometimes a tricky thing. Making sure we sing all the correct notes at the same time is still the goal, but without that amount of accuracy in our performance it could go from really great choir sound to karaoke night really quickly.
To add a little pressure we’re also premiering a new composition. Even though the whole work is about 15 minutes long, it still requires quite a bit of challenging note and rhythm-learning. It’s a daunting task but I love to take on a challenge.
The piece is called Psalms for Leo, composed by Jonathan Dove. The original choir who commissioned this piece was The Bach Choir in England. This work is in memory of Leopold de Rothschild, who was a member of The Bach Choir for fifty years and later served as President of the choir.
Here’s a peek at the first page of the score:
The score itself is a marvelous composition. Jonathan Dove doesn’t just put together a sweet sounding piece for Leo, instead he weaves together a number of vocal lines that in places complement each other and other places there’s a glorious minor-key dissonance that resolves once in a while. Also, the music theory nerd in me got excited to find out that one of the movements is in the Mixolydian mode. The one feature about the Mixolydian mode that makes it “mixolydian” is that the seventh scale degree note is a lowered by a semitone. The rest of the notes are what would make up the major scale built on the fifth of that key signature. Let me stop there. I feel your eyes are starting to gloss over.
For the text Jonathan chose to compose music for Hebrew translations of Psalms 148, 27, and 19. Psalm 19 is very fitting to honor the devotion Leo had for the Bach Choir.
Here’s an interview with Jonathan Dove and conductor of the Bach Choir, David Hill, describing the piece and how it came together for them and the children’s choir they invited to sing with them.
Unfortunately I haven’t found any recordings of the London premiere, but it must have been a wonderous experience considering they have at least 220 singers. I thought the Chorus of Westerly was huge, but The Bach Choir takes the cake. If you’re in the Westerly, Rhode Island area on December 21st, please consider attending our Christmas Pops concert! It’s always a good time. (Buy tickets online)
Sleater-Kinney is one of bands that I became a fan of in the late 90’s when I was in my GIRL POWER! phase. Obviously the Spice Girls may have been the jumping off point of the whole thing, but then I realized girls can also kick ass with instruments which made the ladies of Sleater-Kinney and other women-only/heavy bands awesome in my book as a teenager. So yeah, i’m a little bit of a riot grrrl in my heart.
I’m also glad that Sleater-Kinney has kept on creating music for years now and I love their newest music as much as their first tracks. I always get a little nervous when bands go on a hiatus because it may mean no more of the ol’ band I know and love, and I just hope they stay in the music scene in a different shape or form. Recent events that have prompted them to record a new album for a January 2015 release has me all sorts of excited. The track above was just posted on their SoundCloud page right after they did an Ask-Us-Anything on Reddit today and the track below is another new track.